Showing posts with label Fun.. Show all posts
Showing posts with label Fun.. Show all posts
Wednesday, December 12, 2012
Tuesday, June 19, 2012
Tuesday, June 5, 2012
Wednesday, May 30, 2012
Tuesday, April 10, 2012
Sunday, April 1, 2012
Friday, March 2, 2012
Flares: Fun. - Some Nights
Digitize the grandiose pop symphonies of Aim And Ignite and dim the lights a little, all for the sake of sounding even huger than "Be Calm" strived for. Some Nightsfinds the Queen/Beach Boys pop of The Format's late career and Fun.'s debut record infused with beats of the bass-heavy variety; if Nate Ruess was too exuberant for you on previous outings, you'll find nothing approaching dampened enthusiasm here. The pop-rock band - rounded off by Jack Antonoff (Steel Train) and Andrew Dost (Anathallo) - somehow find a context for the enormity of lead single "We Are Young", surrounding it with songs so extroverted it should be uncomfortable; it never is.
Rarely, anyway: the bass on "It Gets Better" is, genuinely, too heavy; the vocoder sections of closer "Stars" are challenging at best. But away from these qualms already, because they are the only blemishes on a gorgeous soundscape and stellar songwriting exhibition which lives off its own indelible charisma and builds brilliance out of its ideas. These compositions are, when distilled, no less layered (really) and decisive than Aim And Ignite's; the temptation to assume that electronics render depth a second-fiddle notion is rebuffed by the unique character of tracks like "All Alone" and the record's title-track.
Throughout, Ruess puts in the most commanding and charming performance of his career to date, whether he's backed by a choir, synthesized by vocoders, or left to his own raw, dramatic devices. On "All Alright", he exhausts himself - and I know, I know, that I put up a front, but maybe just this once, let me keep this one? - only to reclaim his own salvation on "One Foot" as he declares: I will die for my own sins, thanks a lot; we'll rise up ourselves, thanks for nothing at all! If, from those snippets, Some Nights sounds like a heavy listen, the beauty is that it somehow manages to be both weighty and carefree. The buzz of songs like "Stars" is nothing close to vapid, but nor is it so self-involved as to lose its polish.
You can find Queen and Kanye West bursting out of Some Nights's sweeping chords and harmonies - and you don't even have to listen all that hard - but when all ten tracks are delivered with this much conviction it hardly seems relevant; the energy and personality which flood out of every melody give this album its own stamp of authority. It tips over into excess at rare moments, but even as you can hear those moments happening, they provoke grins inside and out. Cynics will find the optimism too optimistic and the tunes too tuneful and the anthems too anthemic. Fuck 'em; they've just forgotten what it's like to be young.
Based on Critics - 33/50
Based on Public - 20/50
Based on Hype - 50/50
Based on Pop Flares - 38/50
Overall:
Rarely, anyway: the bass on "It Gets Better" is, genuinely, too heavy; the vocoder sections of closer "Stars" are challenging at best. But away from these qualms already, because they are the only blemishes on a gorgeous soundscape and stellar songwriting exhibition which lives off its own indelible charisma and builds brilliance out of its ideas. These compositions are, when distilled, no less layered (really) and decisive than Aim And Ignite's; the temptation to assume that electronics render depth a second-fiddle notion is rebuffed by the unique character of tracks like "All Alone" and the record's title-track.
Throughout, Ruess puts in the most commanding and charming performance of his career to date, whether he's backed by a choir, synthesized by vocoders, or left to his own raw, dramatic devices. On "All Alright", he exhausts himself - and I know, I know, that I put up a front, but maybe just this once, let me keep this one? - only to reclaim his own salvation on "One Foot" as he declares: I will die for my own sins, thanks a lot; we'll rise up ourselves, thanks for nothing at all! If, from those snippets, Some Nights sounds like a heavy listen, the beauty is that it somehow manages to be both weighty and carefree. The buzz of songs like "Stars" is nothing close to vapid, but nor is it so self-involved as to lose its polish.
You can find Queen and Kanye West bursting out of Some Nights's sweeping chords and harmonies - and you don't even have to listen all that hard - but when all ten tracks are delivered with this much conviction it hardly seems relevant; the energy and personality which flood out of every melody give this album its own stamp of authority. It tips over into excess at rare moments, but even as you can hear those moments happening, they provoke grins inside and out. Cynics will find the optimism too optimistic and the tunes too tuneful and the anthems too anthemic. Fuck 'em; they've just forgotten what it's like to be young.
Based on Critics - 33/50
Based on Public - 20/50
Based on Hype - 50/50
Based on Pop Flares - 38/50
Overall:
Labels:
Album Reviews,
Flares,
Fun.
Tuesday, February 14, 2012
Exclusive Album Leak: Fun. - Some Nights
Some Nights is the second studio album from American indie pop band, fun. It will be released on February 21, 2012 through Fueled by Ramen. The first single is We Are Young which got covered by Glee and also currently in the top 10 of US iTunes charts. Below you can listen to the full album and download it.
DOWNLOAD
DOWNLOAD
Labels:
Album Releases,
Fun.,
WATCH OUT
Tuesday, December 13, 2011
Cover: Fun. - Some Nights + New Song
After the success of the first single, We Are Young including a cover done by the Glee Cast, Fun. continue the hype by releasing a new song from the album, Some Nights (cover above). The song is call One Foot that features a new direction out of their usuals. Hear the song below while you wait for the album release on February 21 2012.
Labels:
Album Cover,
Fun.,
Song Releases
Wednesday, September 21, 2011
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