There's no doubt that byWild Ones' 2012 release, pop-rapperFlo Ridahad become a "singles artist," one who soars high in the three- to four-minute format. Give him thin but clever ideas -- that acoustic guitar riffs might sound fun with hip-hop beats or that whistling also looks like oral sex -- and you get hot, infectious fluff, the hottest of which here is "Whistle," aDJ Frank Eproduction that might have been handed toKesha,Katy Perry, or evenMaroon 5, althoughFlo Ridadoes it much justice, reviving a come-on that goes back toLauren Bacalland putting a couple energy drinks' worth of power behind it. The title cut withSiais close toKaty Perry's "Fireworks" but crafted to support a sports highlight reel instead of teenage dreams, and then there's theEtta James-sampling "Good Feeling" with producersDr. Luke andAviciireplacingDavid Guettafrom the previous album and offering that urban-pop glitter-flash that should make purists scream andthe Black Eyed Peasjealous. Speaking of the previous album (2010's Only One Flo, Pt. 1), this is also a short, almost EP-length album that comes with nine tracks in its standard version and with no full-length flow, and while it was originally titledOnly One Rida, Pt. 2and designed as some kind of sequel, continuity doesn't matter in this pop-rap-urban-dance landscape, as this genre is as "in the moment" as it comes.Wild Oneswould be dragged down by any tacked-on sense of purpose, and thinking ofFlo Ridaas equal parts thrill seeker and hitmaker is easy as the album races to its absolutely silly,LMFAO-featuring finish. It's gimmicky, lightweight, and best taken in small chunks, but get a glitter-friendly crowd together and it gets the party started, succeeding at its one and only goal.
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